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#1
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The following is from Glenn Turner. It was originally posted on the Pangolin Laserchat forum here:
http://www.pangolin.com/ubb/showflat...=0&Number=1692 Quote:
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#2
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I happen to have a picture from someone else from a video camera that was damaged with a 750mw DPSS laser system doing scanning effects:
![]() This image is of a white wall after the damage occurred. All the spots are now dead pixels in the CCD. John
__________________
John Birchman, CTS |
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#3
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This is not something new, its been happening for years in lots of types of LCD based equipment, even mobile phones with cameras. So Not just DLP projectors. A less experienced guy in Romania damaged two broadcast quality cameras.
We work a lot with TV and this has been a big worry for the camera production team. The best thing to do is leave the cameras pointing down to the floor until the laser alignments have been done. ( Not just turned away from the lasers, beams can bounce of other obects and still find a route to the LCD ) And a camera with a shutter is not a safe sollution either. Video projectors are supplied with covers. Keep them on until until they are required ( easy to say unless the projector is hanging from a truss 5 meters in the air ) I have a thought. For equipment that is projecting outwards, surley its simple to have an angled filter to reflect the wavelengths used in shows. I was thinking of this for a long time for tv cameras but filtering also stops the camera seeing the show, not a problem for an LCD projector. I will produce one that fits most types if enough people are interested. Andy |
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#4
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Hi,
The best results are achieved when the cameras and projectors are shuttered or covered, then mask them out using BAMs in Pangolin, then they are safe from there. If you use a filter then the camera will see no lasers and they want to film the lasers... GlennT |
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#5
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Glenn not sure if you work for Pangolin or not but if you do, have you guys ever thought about making a version of LD2000 available cheaply to home users?
The falling cost of lasers has now put them within the reach of many home users but the software necessary to control them via IDLA remains massively out of reach for most. It would be great if Pangolin could come up with a dirt cheap licensing solution for home use - less than £100 . Maybe you could sell direct and require some proof of employment that shows you're not in the entertainment industry and thus control usage to the correct group this way. |
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