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1992 ILDA Awards
Presented at the 1992 ILDA
meeting in New York City
Hosted by Science Faction Corporation
Excerpted from The Laserist magazine, Summer 1993 issue
Laser
professionals from around the planet were honored for their artistic and
technical achievements in ILDA's sixth annual competition for
Outstanding Laser Displays.
The event was the most intense yet, with 168 applications for
artistic awards submitted by 15 companies. The 23 awards covered a broad range
of artistic and engineering applications, including the depiction of Thai
folklore, atmospherics effects in Germany, a 3D laser and film show in England
and laser projections on the facade of the Boston Public Library.
The awards, presented during a special banquet at ILDA's 1992
General Meeting in New York City, were evaluated for creativity, professionalism
and uniqueness by a three-judge panel:
-
Ken Billington, an international lighting designer
and five-time Tony award nominee, has received two Los Angeles Drama Critics'
awards for television design.
-
Donald Butler is an Emmy award-winning art director
for Post Perfect, a computer animation house.
-
Eric Staller is an artist who has worked with light,
space and motion for 20 years as a photographer and sculptor.
1992 ARTISTIC
AWARDS
Graphic Design: Static
1st: "Laserdisc",
Laser Images
2nd: "Pii Grasau", Laser Media
3rd: "NCC 1701A", Laser Images
Graphic Design: Animation
Honorable Mention: "Flying
Birds", Laser Fantasy
Graphic Design: Showpiece
1st: "Interface",
Science Faction
2nd (tie): "Fire and Light", Laser Fantasy
2nd (tie): "Sixty-Five Thousand", Audio Visual
Imagineering
Honorable Mention: "Rodeo", Aura Technologies
Abstract Design
1st: "Cut", Laser Images
2nd: "Silent Lucidity", Laser Images
3rd: "Send Me An Angel", Audio Visual Imagineering
Honorable Mention: "Composition in Red (A Kind of Magic)",
Mueller Planetarium
Beam/Atmospheric Display
1st: "Marlboro
Team '92 Beam Show", Advanced Laser Design
2nd: "Running", tarm SLL Technik
Honorable Mention: "Company", Laser Artistry
Advertisement/Corporate Theatre
1st:
"Gauloises Blondes Spot", tarm Showlaser
2nd: "Boston Festival 1992", Science Faction
3rd: "San Jose Sharks", Laser Media
Mixed
Application
Honorable Mention: "Festival
Fountain", Laser Media
1992 TECHNICAL AWARDS
New
Technology
1st: "Renumbering
Laser Graphics", Pangolin Laser Software
Sophisticated algorithm to automatically renumber points in a laser graphic.
2nd: "Interceptor",
Pangolin Laser Software
Virtual
display of laser projection data on a computer monitor.
3rd: "Chromadepth
3-D", Audio Visual Imagineering
Allows laser
imagery to float in space without limiting viewing angles or screen surfaces.
Unique
Applications
1st: " 'Jules
Verne 20,000 Leagues Under the Sea", Laser Fantasy
1992 CAREER
ACHIEVEMENT AWARD
Jennifer Morris
Co-founder of Image Engineering Corporation and pioneer of digital laser
imagery
Laser artist Jennifer Morris was
honored with ILDA's fourth annual Career Achievement Award in recognition of
over 15 years of ground-breaking work in the laser display field.
Morris, a founder and former president
of Image Engineering Corp. (IEC), made laser history in 1977 when she pioneered
the first use of representational laser graphics in "Lovelight" The show, which
premiered at the Boston Museum of Science's Hayden Planetarium, also broke new
ground with its use of a highly-automated control system.
Morris and Walter Gundy founded IEC in
1979, often working with industrial clients such as Cadillac and Wendy's. Morris
is currently IEC's creative director, responsible for the design of such laser
productions as:
- "Voyage of the Little Mermaid" laser animation at
Walt Disney World;
- "The Laser Zone" series of shows for Kmgs
Entertainment Parks;
- "A Haven for life" presentation at the St. Louis
Science Center, and
- "IIlumagenesis," laser effects for six dancers,
featured in "Enter the Night," a revue currently running at the Stardust
Theatre in Las Vegas.
Morris has also directed the
development of software tools at IEC and maintained decade-long relationships
with such clients as IBM and the Meadowbrook Music Festival. When it comes to
laser design, Morris says she prefers non-representational imagery. "I think it
makes the best use of laser light A laser isn't film or video. A laser is its
own kind of creature."
Before launching IEC, Morris directed
laser programs for the Aspen Design Conference, Chrysler and General Motors. She
was also involved in electronic music and video graphics. Her independent work
has been shown in London, Copenhagen, Geneva, Montreal and Boston. She received
a Bachelor of Arts degree from Kirkland College, NY, where she concentrated in
multimedia design.
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